Jared Feldschreiber

“Jared Feldschreiber delivers clean prose with succinct phrasing, along with moving passages about the protagonist’s search for creative clarity.”              
– Q.V. Hough, Vague Visages

“Entertaining and tender yarn with detailed focus on faith and art in the 80s.”             
– David Stewart, Arts Fuse

“An endearing feature is the extent [the author] has gone to ensure the historical accuracy of each of the contemporaneous events that provide the background of his story… The facts all fit together really well.”

– John Barlass, At the Barrier

“I enjoyed the idealism in Jared  Feldschreiber’s Reckless Abandon. There is no cynicism in [the protagonist’s] quest. He is the apprentice trying to learn from his favourite sorcerers and to find his own creative voice in the process. He is enraptured by their work but has little interest in their celebrity, wealth of private lives. This portrait of a young would-be artist is evocative, concise and elegantly written.” – Geoffrey Macnab, Screen International; author (Ingmar Bergman: The Life and Films of the Last Great European Director)

“At the core of the book’s theme are the mysterious potent drivers of the creative process itself. I enjoyed this book very much.”
– Denise Enck, Empty Mirror Books

“What we have is an intriguing exercise in meta-fiction that allows the author, via the created narrator, a journalist with aspirations to becoming a playwright, to both create works called Reckless Abandon… Characters and artists are boxes within boxes, like Matryoshka dolls, which makes it most amusing.” 
– Andrew Muir, Bob Dylan ISIS magazine Issue #205

“A truly imaginative one-of-a-kind exploration of a young man’s coming of, if not age, self actualization and truth.”
– Joan Cochran, author (The Yiddish Gangster’s Daughter)

“[This is a] must-read full of brilliant dialogues for those who love music, cinema, theatre, and literature itself.”
– Sergio Gandiglio, co-author (Bob Dylan in Italia: Un Fantastico Viaggio in 100 Concerti)